It comes down to decisions really, even in Bacchus.
Right, yeah da COMME too would be a mess with pedal. In post-classical I can primarily think of these fast, rhythmical pieces which would be blurred by the pedal - but even there you typically want to dip it every now and then for colour.
I’d say some workz of da French compozahz. Da French School in general known for itz crizpnezz n clarité with sumtimez zparze uze of da r. pedal. Take a work like diz: