Wassup biotches. Dis is the da new mofo on da block. I iz a jazz pianist but dey call me da jazz penis cuz I playz the jazz wit ma cock. Check dis recording of da JazzPenis stayin tru to hiz name and unleashing da improvisational fury upon da Charlie Parker’s “Dexterity”. It startz slow, but the penis eruptz before long.
Ha HAH! Dis some good ish right hurr. I gotta give it up for da copious skillz man!!! (I really don’t know why you’re here, but so long as you stay it’s mos def coo wit me!)
Tha Parker ish was tight I digged it. The 10/5 was as good as a few and mosdef betta than most; it’s jus so fresh and so clean. Too hot.
BUT, the thing is 'round here iz that we sacrifice the integrity of pieces for sheer speed. You wanted to put SD status on that, you’d have have to shave off a lotta seconds (look at the sticky topics to see wut I’m talking 'bout).
Nondaless, you’ve most definitely dropped some beauty on us.
It shows, there’s a lot of control in your 10/5. The improv lacks some ‘chops’, but it is an improv and lightyears ahead of anything mah-poor-bad-self could produce.
In da name of all dat iz FURY, and in da SD spirit, my bad-ass self recorded da normally slow and beautiful scriabin 13/3 wif absence of pedal and dynamics in order to achieve da furious speed. Perhaps it falls a little short of da FURY, but dis iz as fast as my funky self could play it wif no practice
don’t forget dat before all, da criteria iz da average nps + mofoness. Datz why using non-SD piece fo sdc audition haz alwayz been questionable fo da SDC jury
According to your link, da benchmark for da Chopin 10/5 is 1:30, and in mah bad-ass self’s first post, there was a link to a recording of it that clocked in at almost exactly that time, and the Jazzy P wasn’t even trying to play the sheeyat fast on dat one.
Da Scriabin 13/3 wuz for no otha reason den jus for fukin around.