Yes, I think it’s fair to say that. Most are clearly “pianists”, used to modern instruments and just walk on stage and repeat what they’ve practiced on these period instruments. All of them today - this session would have been better if they had a Steinway in the room.
It’ll be interesting to see how the judges rank them incidentally. None here have appeared yet I would have any interest in on a modern piano after the competition, but there have been those who play “well” only in the Steinway sense, and then there have been guys like Ablogin who wouldn’t work at all on a Steinway but who was really good with touch, timbre and colour on these period instruments. So, who do they pick? I really hope they favour the latter kind and give these hands-close-to-the-keys pianists some space, but most of the judges are pianists rather than fortepianists so it could be that they go by their usual parameters and just try to find a normal Chopin Competition winner.
I really haven’t watched enough to come to such an opinion definitively, but my initial impression is that I’m hearing filigree passagework with more clarity than usual, but in a greater sense the results are coloristically limited. Don’t yet know if that’s da 88 or da performers…
NINJA playing!
zepp’s fingers are so fast, his wisdom so great, and his shirt so black that all the notes can not be properly registered by the human microphone.
Meanwhile the CC will apparently announce the results from S1 in half an hour. Don’t know where, but if not on youtube presumably at least at http://www.iccpi.eu/en.
Yep, I haven’t learnt all names but the ones I’ve caught were in.
From what I’ve seen Ablogin is all that matters though. Man I’m impressed by him! He survived a second hearing with flying colors while I was waiting for the results here too.
It looks pretty good. The neat & tidy participants I remember aren’t here, while all the good ones I remember the names of are. Maybe minus Hajduk with the spellbinding Bach, but the piano largely did it for her, and I found her following Chopin selections rather stiff.