Which key signatures fit like a glove to you and which are frustratingly fucked for your fingers?
Also do you hear a difference between keys and have particular favourites to hear?
Which key signatures fit like a glove to you and which are frustratingly fucked for your fingers?
Also do you hear a difference between keys and have particular favourites to hear?
Lots of flats.
I decided years ago that my fastest arpeggio was F/Eb/Db/Bb/G descending.
I think I can manage a whole 4 npz there when in WIM mode
That may technically be a pentatonic scale
Thumb and pinky on whites and 234 on blacks is a very natural position
da zepp fav key iz c maj
but i uzually impro in c min
Fo leaps n octs: tons of sharps/flats
Fo scales: keys wiz few black notes, den you can unleash sum Glizz in dere
Fo sightreading: C majah all da way baby, preferably adagio
I wut da correlation between perfect pitch n 88 zkill iz
Hu are da moz famouz compozaz n peniztz dat DONT haf perfect pitch?
It’s hard to know which ones have it and which don’t, unless there is some documentation. There’s also levels of absolute pitch.
The only dude I remember being impressed didn’t have perfect pitch was Gunnar Johansen because he covered such an insane amount of rep. That shit all finer patterns and analysis - holy god!
he probably did pure visual SLIT stylee
I slightly prefer C sharp majah over D flat majah.
On the othah hand (m.s. or m.d.), I sumwhat like G flat majah a bit moah den F sharp majah.
fo reading, flats iz always easier fo moi, randomly
This made me lol somewhat
Tag yourself, I’m F minor…
Is that how you hear it?
I hear differences in keys but the point of each new/different piece of music is to express something…new/different! so there may be some commonalities but each piece can defy it as much as conform to it.
I like C-flat
G-flat minor on a page turn when you’re sight-reading is always fun