Da PPP unleash a ZIFF clazzic

Ok, he has a consistent INTERP and personality!

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Consistently abysmal :confounded:

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Is he preparing for the HUGE Liszt comp?!

Fuckkkk.
3rd prize at least.

10:30 da WILD JAGOFF REMAKE CUMMAH

FUCKKKKKKK

@da_zepp

Man, diz unique personality

Prize winning

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Ahahahahaha fuckkkkkk. Dis not very WILD JACKOFF mo :ghey: den a Village People gig in a San Fran bathhouse!!!

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HAHAHAHAHAH!!!

A TRULY EPIC











mezz :lib:










merizin performance :sunglasses:

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Nice pedal fart at 1.23 :sunglasses:

HAHAHAHAH da HARZH LEAP CHEAT in da JAGOFF

DAYUM

i undahztand diz an interp decizion to accentuate da ZILENCE in ztealth huntin techniquez :sunglasses:

I didn’t make it that far first time.

What a fuckin zhamblez. Dis obviouzly a cuntemporary cumpozah rewrite of da :pimp: harmoniez.

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Comp juror: he hath artistic potential…

hmm, ok who is this Kaykoff dude? I see, just tech and no music, I’ll give a score of 1.5 out of 10 to da TM.
Octaves are probably all cheater at that speed anyway.

Da previous mofo was da Chen?
8/10 (based on potential). Pass!
Plus we like his sensitive sound.

:sunglasses:

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I bet his neighbors are fans!

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Man, dat Kawai 88 also produce a default schitt sound

No offense to this pianist… But something sounds strange; the piano sounds honky-tonky, or is it just me? Sound overly focused on the initial attack, and the resonance when he plays chords is somehow “detuned” (I don’t even know if that makes sense).

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Yes, it is out of tune.

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Diz mofo randomly haff insane potential

I’m wondering what the fuck kind of cuck teacher is grooming these :ghey: interps?

da :wim:

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hahahah da fuckin JAGOFF

firzt tym I hear a :pimp: interpr dat wud zound bettah on harpzichord den on 88 :sunglasses:

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Man, if diz mofo applies to da Utrecht comp

Gud chance of making da top 14 cut

Fuck, imagine the CG that a TOT from dis mofo could provide!

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“Authentic sound! Wouldn’t you like to hear how Chopin and Liszt intended their pieces to be played? Nowadays pianos are far louder than the ones in the 19th century. According to the theory of triple “p”, piano dynamics are supposed to be played one third of what is written. The true sonorities of this music arise thusly!”

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