Daim da mo I look into diz mofoz catalog ov recz n live perf I realize dat hiz tech wuz at da abzolute elite level and hiz interpz are daring and unique.
Not alwayz da bezt, but becuz he goez fo a rizk takin approach tiz often inzane n unique.
Da grand polozheeyat juz a completely interp - in da moz legendary way
Hahah I iz aware. And before I had only really zeen a few live zheeyatz n hiz mo priztine ztudio zheeyatz n wuz a fan but hadnt realized he wuz a mofo prone to inzane rape
All the way 1985-2006 here. I think many of his most remarkable both live performances and studio recordings are from the years around 1990, and personally I adore him right up to his retirement - even if I can appreciate the last years were too quirky for most people. Still, his 2005/2006 Maiden’s Wish and Gnomenreigen are as good as any I’ve heard, and I champion his Chopin Preludes from around that time too. Odd touches for sure, but artistically the work of a genius.
I know I’ve brought this up before, but a dutch friend I spoke a lot to in my teens was a huge fan and went to hear him at a lunchtime recital in 2002 he had been talking up the whole season. The day came and I got hold of him that evening, at which point he was fuming with anger. He said a lot of things but the gist of it was that “Pletnev is too arrogant to bother to play well”. I think there’s some truth to that - regardless when you look during his career some times he’s simply not in to it, and he’s never been afraid to let people notice. It’s actually one reason I’m a bit wary travelling for him today myself (I’ve never heard him). I know that what I end up attending can be anything from a waste of time to a memory for life - and it’s not the program, but rather whether he liked the lunch and how well he thought he was greeted by the guy in the newspaper stand that morning (or so it seems).