I put dis mofo on da tube in sheet muzic vid form as a Christmas type thing for my subzcribahz and might az well share it here, even if I’m fairly sure I’ve shared an audio only version previously. I alzo really like the parasheeyat for its cumbo of melancholy and virtuosity. The rec isn’t perfect even after the large number of takes I used when recording it but I’m pretty proud of it and it also represents a good point in time muzically for me.
Hmmm I’d say the biggest fuckers I’ve done are “even harder” as they are well-known and done to death…
Pretty much ANY standard Chopin work (good luck making an impression unless you actually unzip your pants midway and put your cock on display)
Pimpson
Meph 1 (sooooo well known. You’re going up against the “top” mofos, keep your dick hard!)
I also put da SS-Pimp Big Mac into da “insane” category, there are so many different hard ass textures in there and any number of things can derail beyond recognition in a live unleash.
Da Scriabin 12 Etudes Op 8 was one motherfucker of a set too.
Certainly very, very thick, it’s an “elite level” tranny right up there with da Tanned Ho and DJ
I also found Da Slit Contrabandcunt to be pretty damn insane, and it must sound effortless too.
That being said, with ultra standard rep, you have no excuses in presenting anything even SLIGHTLY sub par, it just makes working on those standard sheeyats an insane responsibility
We haff different perzpectiffz, I know, but I truly won’t play a standard rep piece (other than for private amusement) unless I care deeply about it (eg deathfuck).
When you’ve spent a lot of time with a piece, like you have with da METH, it makes sense, but I don’t like the way the muzic induztry encourages / coerces yet another PIMPZON / Waldo / Moonrape out of young peniztz out of sum kind of “tradition”.
Plus there is stuff like da Op 111 where if you play it in a slightly personal way, you’re suddenly a heretic. Fuck that…
But Da hardest-to-please stuff imho is still da standard Chopin sheeyat. And maybe original Bach, because a random cunt will hate it because you don’t hum enough and played sum phrase too legato
Da insane quick and short trills in Da Bach Partita 5 were anal terrorism when I played it
Hmmm or picking any 1 fast Chopin Etude and presenting that as your only Etude in a live unleash.
A 10 second fuckup is suddenly a big percentage of the whole piece and instantly makes you eligible for fame on @da_zepp channel
Tru, Da beauty of a “sloppy” approach to da 88 like Mark Hamburg is dat you’re playing messy enough to cover all fuckups anyway… it’s all uniformly sheeyat so you can just play and enjoy