Hahah zince da WIM permablockd ma azz I iz done wiz ma zlite cg rezpec fo him
I now think he iz a cunt n given da opportunity wud harzhly **** hiz ********
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Aha, he did aftah da cummentz about CD pricing? Ahaha fuckkk da WIMFURY finally cummah!
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Ahhhahaha but u wud pozzibly both enjoy dat 
Haha tru, I wud alzo zuggezt hiz CDz cummah wiz a free nooze 
diz may explain da pricing
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ahahahahah mannnn da LEGENDARY MOFO remained civil thruout diz whole zheeyat
da WIM a bit of a WIMPpppp tru
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Normally I believe in da TRURAPE approach to da metronome but in da case of da WIM he needz to get raped by hiz own metronome.
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Honestly it took me about half a minute before I recocknized da zong. Because Iām used to listening to diz kind of tempo:
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Haha. This was the first ever ābigā piece I played. I was about 13 and I certainly didnāt play it at wimspeed!
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:wim:
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Diz a clazzic
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HAHAHAH :wim:
Is he fucking stupid? He appears to be arguing that his tempi must be right because some random Czerny pupil Iāve never heard of is only playing low 80s% of the allegedly impossible metronome markings. Also his fixation with 12.4 npz maximum velocity crops up again.
Examples have been demonstrated ad infinitum of mofoz playing faztah, lol.
Canāt watch more than half of this self-justificatory cherrypicking.
And da 
'z tech was evidently so sheeyat he couldnāt pass 10npz. Lmao.
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I havenāt watched, but did any of Czernyās pupils record? 
The ādirectā student turns out to be a fourth-generation one.
Which is hardly significant, when a few minutes of research shows Iām a fifth gen 
pupil and probably half the world can trace a lineage back to if they try hard enough.
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I donāt get this fascination with lineages in general I must admit. I think it played a larger role in the previous century, today I think the influence is rather something like 20% teacher and 80% recordings.
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And I still live in the 1900s 
I meant the 19th C.
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Quite all right, artistically I still live in the 1800s 
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TRU 
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Fuckkkkkk