Do any of you mofo’s have a better fingering for this RH passage?
Atm it’s 5 all the way down (top voice) but it’s really awkward! (Like a lot of Chopin)
Looks like the same kinda texture as this passage in the f minor concerto.
If you can’t make it sound good you could always redistribute some notes to the left hand.
If not, could you do 34 on the thirds? Although that might not be very comfortable either.
I can’t figure out how hot redistribute without making it more awkward.
I think gonna stick with all 5, it’s an editors suggestion as well. Balakirev edited my score but helpfully left this part blank…
Starting from da top E, y cant u do juz do 5 5 4 5 4 5 4 (f)?
maybe i iz mizzing zumthing
tru tiz all in the wrizt
take each 2nd note of the inner voice triplet in left hand. it’ll sound the best, imo
who carez about fingahrin when da notez zound zheeyat anyway 