thanks, that said, I am not a performer by any means, I just learn da notez!
Yep, same 
Banned, no?
Pozz alzo unintended ![]()
I didnāt ban him.
Maybe he burnt himself out posting 15 topics in 3 days ![]()
Chopin, nah. Far too many lightweights fink dat Fantasie Impromptu is da hardest or some shizzle. An dey fink dat the Revolutionary etude is some sorta impossible piece. Chopin is more offen overrated in difficulty than underrated.
I mean Chopin Sonatas are hard but aint underrated in difficulty becuz dey arent dat well known. Da ppl dat know the Sonatas know dat dey are bitches to master.
Scriabin, well, da ppl who know about him or play him also know dat he got the hardest sonata cycle known ta man. Don fink itz possible to overrate Scriabinās difficulty.
Liszt difficulty iz overrated tho. When ppl yap about Liszt difficulty dey always be referrin to shizzle like HR2 or La Campanella, which aint nothing compared ta Berlioz-Liszt Beethoven-Liszt, Scherzo und March, etc. dat nobody talks about.
Now Schumann, his difficulty be insane underrated. Prolly cuz none of his pieces sound that hard. Kriesleriana iz prolly harder than 90% of all Liszt pieces.
HAHAHAHAHAHA!!!
a nu legend mildly cummah icic
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Successfully played? hmm Bach invention
I iz just a pianist an a fellow lovah of da 88.
An considring ur point dat Lisztās hardest pieces still be ātechnicallyā goin wit da 88, itz kinda imprezzive how diffcult soma da shizzle he writes iz. S.140 No.4b iz a pregnant catā¦
Hahahaha rezpec! How da fuck did u find daSDC? ![]()
HAHAHAHAHA FUCKKKKKKKK!!!
Inztantly APPROVED
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Truuuuu.
Fakk, dat Kapustin etude on ur channel iz pretty wicked 2
da unintended mofo iz back in ztyle tru
I donāt think thatās the same dude. Not nearly as annoying.
Ahahahaha da difference bein
Da unintended mofo write a full book dizcuzzin tech n hardezt zongz den dun demo zheeyat ![]()
Da IP-MOFO cummah wiz 5 poztz den get down to bizniz
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Both ztyleez r equally valid
But clearly one iz a bit mo MOFO den de otha ![]()
Wellā¦if da Zhoe fitz⦠![]()
Fuck awesome! Nod to the foot fetish community a nice touch as well!
Seiler! Deze are nice sounding 88s.
Da leaps in da 20ans plus da fingerwork, pozz da hardezt movment in da Sonata, dependz on how good ur fingerwork iz.
Symphony 4th iz fast lik a bat outa hell.
The tempo honestly wasnāt the problem for me - there were a few spots where I wasnāt quite strong enough, but aside from some blurriness there it entered Doc tempo pretty much on its own, but I was completely crushed under those double leaps. I have never practiced any passage in any work as much as I did with that - daily work over many months - but I never really was close. The choice I had was to either maintain tempo and be guaranteed to trip, roll and crash, or to lower (halve, really) the tempo at those bars and play it securely. Hamelin feels humane in the passage since he uses pedal and divides them up in groups, by which you can use an easier fingering, but how Libetta does what he does in the Naples video is beyond me.
Which precise passage is this ā can you snap/screenshot the bars? I confess Iām curious, and havenāt been able to locate it myself (unless Iām looking near the wrong repeat).