hahaha wit on i hear that pozz a take wuz “zplicd” (not zho if thatz tha word) juz befo tha final var cummah
hahahaa obviouzly tha BEAR an undizputd legend in theze zheeyatz n it wud not chang my opinion but whut do u hear at thiz point (4’51-4’52)? mayb ztart a bit befo
Mr. Weissenberg, too, is an accredited virtuoso, able to handle the worst that Liszt has to offer, but his Sonata No. 123 is full of nuances that merely show off the pianist’s ability and obscure the music’s poetry. His Sonata No. 104 is silken and brilliant, but again marred by preciousness and mannerisms, and No. 47 pulls the line out of shape in search of an expressiveness that Mr. Berman finds in a simpler, more direct interpretation.
hahah tha weizz (forgiv tha ztupid internet exprezzion) catchin ztrayz
I have a theory soviets sobotaged that recording because the lazar piss them off somehow. Its massively compressed, poorly EQ’d and the joins are a mile wide.
Compare with his hungaroton recs side by sides or earlier mono work. They dun screwed him.
Oh man and the piano was prepared to sound like broken glass and trash cans falling down stairs. Just wut?
he did get shit listed after 1956 because he took a pic of a tank when on tour in Hungary and went to develop it, got perceived as him sympathizing with da Hung uprising.