marik pwnage

subwoofah · February 23, 2007, 10:49pm

Responding to comme:

pianostreet.com/smf/index.ph … #msg263688

Rob · February 24, 2007, 5:02am

i like how tha MARIK mention tha prick 7 out of all tha prickz

az much az i love 8, 7 iz juz tha bezt tru

krittyot · February 24, 2007, 5:20am

80% mofoz on da PS claim themzelvez to b talented, so even if he mentioned he could play all da chopetz, that wouldn’t make any difference to me since PS is indeed a BS site. u really have to take it w/ a grain ov zalt.

Rob · February 24, 2007, 5:27am

kritty i def agree

but tha MARIK iz definielty a TRU mofo

hear iz uzm linkz to hiz legendary zheeyat

25/6
pianostreet.com/smf/index.ph … 422.0.html

zpanizh rappah
pianostreet.com/smf/index.ph … 423.0.html

k-nar · February 24, 2007, 6:49am

hahahahaha daim

pozz

da_zepp · February 24, 2007, 7:49am

HAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHA MANNNNNNNNNNN

wizout da TICKLAH to hold deze mofoz rezponzible diz iz da level of BZ u end up wiz (along wiz every jake pozt but dey iz not even worth quotin):

1.Hofmann had greater finger technique than anyone I ever heard(yes, including Hamelin). Not only his scales and arpeggios, but his repeated notes also surpasses those of Hamelin. About his thirds, perhaps everyone is aware that Hofmann once played the Minute Waltz in thirds without losing any speed.

2.Lhevine had incredible double note/octave technique as well. Listen to his legendary Etude Op.25 no.6, La Campanella, and the Blue Danube. In addition to that he can play the octave glissando as staccato! Beat that Hamelin.

3.Michelangeli’s volume and tonal control is of the highest order. He was never the showy type and he rarely competed in racing competitions. His technical control even in difficult pieces like Paganini Variations and Gaspard de la Nuit is astounding. His note to note accuracy is virtually unmatched as well.(even by his dear pupil Pollini)

4.In my opinion, the young Horowitz technique was one of the best(though not the best). Two recordings are worthy to discuss when comparing Hamelin and Horowitz. The Rachmaninov Sonata no.2(as what Jakev2.0 earlier discussed) and the Barber Sonata. In both pieces, Horowitz beats Hamelin hands down.

Hamelin is one of the greatest technicians of the last century, but he is not unmatched as what most people believes.

Pita_Bread · February 24, 2007, 8:05am

Actually I’m pretty sure Hamelin’s Barber Fugue is faster and more furious than Horowitz’s.

etudes · February 24, 2007, 8:06am

About his thirds, perhaps everyone is aware that Hofmann once played the Minute Waltz in thirds without losing any speed. …becoz he playz da normal verzion too zl*w? duhhhhhh I rezpec da whoremann but about technique he was still below da DOC
and da ABM pozzibly fucked up in op.111 vid not quite match to any virtuoso…he wuz famuz bcoz he had fucking zmall rep (compare to da or da ARRAU)
da OLDZCHOOL dat mizzing iz da

Brewtality · February 24, 2007, 8:14am

Hofmann’s finger tech is better than hamelin BUT the minute waltz thirds are MUCH slower than the beginning. He takes the repeat in thirds and slows down, but the beginner was damn quick.

etudes · February 24, 2007, 8:25am

Da pozzibly = da Hofmann fingah + Gould fingah and brain + da GOD countahpoint brain + effortlezz and alzo wikid thirdz from da

Brewtality · February 24, 2007, 9:50am

well I disagree, but I’m not going to argue about this again. Tiz too 88street, and, just quietly, I am fucking sick of all the spill over. The best thing about da sdc is avoiding 88street sheeyat. Although I would add that Marik is one of the very few people on that board who I respect.

ricer-car · February 25, 2007, 2:11am

You are a total douchebag.

Jake

etudes · February 25, 2007, 2:13am

bcoz i zaid da truth??? cant azzept dem??:…the truth is…in 10 years da TRUGOD will zurpazz all da peniz ever on diz planet.

ricer-car · February 25, 2007, 2:27am

You’re not a douchebag because I’m embarassed that you’ve revealed some profound truth about interpretation…but because you are a competent pianist who manages to have an astonishingly insensitive and uncritical listening ear as well as a very strong conviction that your bullshit opinions are indisputable.

To counter ONE of your embarassingly confused claims in your last post…saying that Hamelin’s understanding of counterpoint is as profound as Godowsky’s is the critical equivalent as the statement “I am deaf”. Godowsky was by no means an experienced recording artist, but his playing of his Schubert song transcription Gute Nacht (as well many of his other recordings) displays a level of contrapuntal awareness not even remotely approached by Hamelin in his vast recorded output.

sendspace.com/file/g6r971

ricer-car · February 25, 2007, 2:32am

da etudez randomly have more respec from moi dan chris does at the moment though.

da_zepp · February 25, 2007, 4:39am

HAHAHAHAHAHAHAHA now dat ive finally heard diz rec, i can zay dat:

da GODO cuntrapuntal tech-control iz actually, EMBARRAZZINLY SHEEYAT

dere iz mo den 30 inztancez where da main melody lyn actually ZTAGNATEz whenevah a nu lyn entah. n diz iz not juz sheeyat mind-control, tiz az much da LACK OF FINGAH INDEPENDENCE dat cauze da melody lyn in one hand to be uneven, n a lack of HAND INDEPENDENCE dat forcez da gud lyn to MATCH NOTE FO NOTE da sheeyat evennezz of da nu lyn.

any mofo wiz above average tech-control/zitereadin zkillz wud be able to keep da evennezz of 1 lyn n not let da sheeyat evennezz of a different lyn ovahpowah it. da GODO, iz actually INCAPABLE OF DIZ.

diz iz juz laffable sheeyat

k-nar · February 25, 2007, 7:08am

hahahahaha da ZEPP iz da only mofo hu juz lizten to da recz

n da jake iz banned fo uzin zendzpace

subwoofah · February 25, 2007, 7:21am

da only reazon i refrain from goin ape-shit on yo french azz is yo pozitively wikid av.

Ashley_Tervort · February 27, 2007, 1:38pm

hahaha i vil juz reply wiz da fact dat i once randomly wrote an unfinizhed rock zong

named ape-zhit