Well⦠from what I can tell here I like the soundscape better in the live recording, even much better, but its treble sounds underpowered. The studio rec is better balanced in that sense in that the melody is more on top, where it should be.
I have a very definite opinion on the two recs as well, but Iāll keep quiet for now. Iāll try to locate the mic photos, but as Iām about to start rearranging my furniture for a piano delivery that will have to wait
It could be the piano itself which is a bit tilted towards the bass, but you can alter the treble influence by the sideways mic position. I like to put the mics near the hammers at the left side of the lid, since that brings you closest to the shortest strings and gives you a head on reflection from the lid. This puts a spotlight on the treble and gives a very brilliant, colourful, singing sound. The downside is that it sounds a bit ālitā. At center lid or to the right you get a more homogenous, mellow sound.
In Thalberg here however Iād argue what you want is the former - whereas in Beethoven itās maybe easier to make a case for the latter.
ā¦hehe, in case you should use this at some point I should add that if youāre too far to the left the sound will start becoming brittle and metallic. If you imagine the lid of the piano as divided in four quarters, facing the second quarter is good for this singing treble sound.
I prefer the live, and by some distance. The studio sounds more āfocussedā but the general feel on the live rec is just much more what Iām looking for.