hahaha might be a tranny.
Don’t get me started again 
hahaha 
I mean, da trumofo beliefs have been clearly outlined in a separate topic, I think I will leave it at that
The main problem of small hands is: small hands = small peniz, small peniz = no fury, no fury = sheeyat. By transitivity, small hands = sheeyat.
It’s harder for smaller pianists to get a big sound but they still manage it.
I mean Yuja must weigh 45kg max but you wouldn’t be able to tell from listening to her playing.
meanwhile da VOL has a naturally fat sound pozz
He has a very rounded sound but I don’t recall it being especially sonorous.
Yeah, it’s not particularly big. Also, every time I heard him live I was bored after the first half. His sound really isn’t … interesting? I mean it’s pretty much perfect, but it doesn’t really leave its very beautiful grey area.
Well, I guess small hands are not a big deal when you have a LARGE COCK.
I feel that way about Sokolov and Zimerman’s sound.
Although at least with Volodos and Zimerman I usually dig their interps.
Do you have advice on how to use the 11th finger most effectively? For instance, how about glissando technique?
Da 11th finger is used when yo other 2 hands are grabbing em by da poosy
this approach also ensures your fingers are lubed up enough to play oct gliss no problem 
Datz rite.
A tru oct gliss shud sound exactly like a dress zippah slidin down
dat said, I play da waldo octz gliss in octaves like a little BITCH
I never understood what was so hard about playing them.
Once you’ve developed a callous they are easy af.
I never had any problem doing them no matter which piano.
datz rite, I juz don’t like a zound ov mah octz gliss in da waldo so I juz… unleash it in octz
Really? Personally I think that sounds worse than leaving the chords out and playing two hand or some of the other solutions people come up with.
Would you play them like that in the Paganini variations?
No, for da Pag Var you gotta slide dat sheeyat.
I’m working on BK II currently tho, no glizzing dere
If I ever cummah back to da WALDO, I might play da gliss, Idk.
But frankly I is better working on 111. Dat 111 raped moi HARD in 2 recitals last year, man, FUCK. An awfully difficult work
Yeah my last teacher used to complain about that one a lot.
I never did it myself.